1. …AND REMEMBER
First, Steven Moffat introduced the Weeping Angels – creatures that can only move when not observed – to Doctor Who. Then, John Lewis took this principle and applied it to snowmen in their terrifying Christmas advert. Now, Doctor Who counters with horrific snowmen who DO move about, and snarl with gnashing fangs, and eat people, with the explanation that they’re made of “memory snow”.
The logical conclusion of all of this – with Doctor Who’s 50th anniversary next year and John Lewis’s 150th the year after – will be a forthcoming crossover spectacular in which the Doctor saves a branch of John Lewis from sentient carnivorous versions of those “memory foam” mattresses that are so popular nowadays. It would not be a big leap for a programme that once made an evil plastic armchair the monster of the week.
2. CHEKHOV’S WORM
Among all the funny lines that Strax hogged were mentions of automated laser monkeys, scalpel mines and projectile acid fish. And there’s a video game I’d happily play for hours. He also hopes for a “full frontal assault.” (Is this the first Doctor Who story to use the phrase “full frontal”? In the same episode that has someone say “enter by the back door”?!) But the must-have toy for 2013 will be the Torchwood-tinged “memory worm”. Especially if it actually lets you wipe an hour’s worth of memory. It would come in handy if you’ve just accidentally sat through the live episode of The Only Way Is Essex or something.
3. He can’t sulk in his box forever
There was a lot of gorgeous imagery in The Snowmen, with the TARDIS sitting on a cloud at the top of an impossible spiral staircase the obvious centrepiece. But to a childhood fan like me it was the revamped title sequence and TARDIS control room that had me all a-quiver. I think they’re the perfect mix of old and new.
4. GOR BLIMEY!
The governess and her two young charges caught up in impossible goings-on is a nicely familiar set-up. The children terrified of the late former governess comes to us via The Turn of the Screw, but thankfully Clara doesn’t. With her cleverness, wonder and Gladstone bag she’s clearly Mary Poppins. She even gets a scene in which she ascends cheekily into the air while holding an umbrella. And as for her wild stories…
5. THE CENTURIES THAT DIVIDE HER SHALL BE UNDONE
In Doctor Who terms, the most easily reached answer to Clara’s existential mystery is that she’s splintered in time like City of Death‘s Scaroth. Her claim (one of her “definitely true stories”) that she was born behind the clock face of Big Ben sounds like a nice symbolic lead-in to that sort of thing. But somehow I can’t see her recreating the most iconic cliffhanger of my childhood by pulling off a rubber mask to reveal what my sister and I always called “The Twiglet Monster”. And this is Steven Moffat we’re talking about. Previous climactic revelations have centred around Rivers and Ponds, preferably by the side of a lake. So watch out for Clara’s claim that she “invented fish”.