Tag Archives: gay

I Need a Doctor: The surgery is open

Doctor Doctor, I’m about to lose my mind and I need a doctor to bring me back to life

After producing some of the best loved music of all time, Dr. Dre’s spent the last ten years fannying around, often announcing that a new album’s on the way, sometimes even setting a release date. And it’s become a running joke that this supposed new material never materialises.

Prescription: Fortunately in the intervening decade, the ‘extended filmic introduction’ has become increasingly acceptable and popular in pop videos. So all Dre has to do is start his big comeback video with an exciting scene of him having a car crash in ‘2001’, and then simply, er, pretend that he’s been in a coma the whole time.

Doctor Doctor, I’m worried people won’t like me any more

When you’ve been away for a long time it’s important to pitch your comeback right. Most stars opt for the immediate LOOK IT’S ME I’M HERE! approach, but Dre obviously feels his return is so important that it needs special treatment.

So in I Need A Doctor he lets the first three quarters of the song go by before he appears in it. He hasn’t even produced it! Which is terribly ironic when you consider that it’s his production rather than his rapping that people have been itching to hear again. (Alex da Kid’s production is great by the way, he’s produced one or two of my favourite tracks recently. And though he does seem to be using basically the same trick over and over again, it’s a good one that hasn’t gone stale yet, so bring it on.)

Prescription: To build anticipation for the big man’s return, we get two verses of Eminem, chestbeating about how he can’t go on without his mentor anymore, and two choruses of ‘I need a Doctor!’ belted out by Skylar Grey. In the video she’s floating above Dre’s inert body as an angel! Except that despite lending her voice to a couple of big songs already, no-one knows what she looks like yet, so they get in a synchronised swimmer ranked Number 61 in FHM’s “100 Sexiest Women in the World 2005” to ethereally flap about and mime her lines instead.

Basically it’s a picture of how awful the world is without Dre, so that we properly appreciate it when he finally opens his mouth. A Buffy Season 6 sort of a comeback, if you will.

Doctor, Doctor, I’m worried I might be developing homosexual feelings for a close male friend

The passion that Dre and Eminem show for each other in this song is quite moving. “You gon’ either wanna fight me when I get off this fucking mic, or you gon’ hug me,” says Slim vigorously. “Get up Dre, I’m dying, I need you, come back for fuck’s sake!

And Dre, upon waking, shows his love with perhaps the gayest couplet we’ve ever heard from such a macho artist. “All I see is Slim… All I need is him!” he declares extraordinarily, and, shortly afterwards, “Kiss my indecisive ass crack!

Prescription: To put straight any such doubt or speculation, Dre throws in a pointless admonishment to us “Faggots!”  in between those two lines. Well that’s shut me up.

Doctor Doctor, I’ve got a great big hook stuck in my head

Yes, that is a big hook, isn’t it. So potent and massive, in fact, that if we don’t end up hearing it prominently within minutes of the new series of Doctor Who Confidential starting in April, you can send in a stamped self-addressed envelope and I’ll post you my knees and elbows.

Prescription: I’m afraid it’s not possible to remove the hook without damaging the memory centres of your brain. You’re just going to have to listen to it over and over again.


“A man in a silly red sheet”

Look, it’s a messy job, but somebody has to do it. And if nobody else is going to do it, well I’ll just do it myself then shall I?

I’m talking, of course, about listing every gay innuendo in the lyrics of Joe McElderry’s debut album Wide Awake. Because even the most casual listen to it reveals astonishing, gratifying levels of poofy filth.

"You're gonna have to teach us what ALL these knobs do!"

Looking at my 2010 calendar (hello JB!), Syco had some time to consider the options, between Joe’s closet being chopped down around him by a big hacky axe (“bravely coming out”) in July and the album release in late October. What would they do, would they gay things up, would they make things a bit more abstract?

Well it sounds like they did both. Just as Joe himself exists, publicly, in a non-threatening sexless borderland (“Ooh naw I’ve only ever kissed one boy, nothing dirty!”, etc etc), so does the album teeter between getting on with the hardcore bumming and drawing a discreet veil over it. The very conditions, my friends, in which innuendo flourishes. And oh boy is there a lot of innuendo on this album. Let’s get on with it:


“If it’s me that was going to take it, then I know that it wouldn’t be straight”

And this in his big launch single too.


“I’m more than a bird”

I’ll bet you are.

“Fall upon my knees, find a way to lie”

One physical or moral position at a time, Joe!

“Men weren’t meant to ride with clouds between their knees”

Absolutely filthy.

“Looking for special things inside of me”


Real Late Starter:

“Oh my God, if I was somebody you’d be kissing my ass right now, but I’m so polite – I do it all of the time.”

All of the time?

“Day by day I wonder, if I will be torn asunder.”

So elegant. So graphic. My favourite from this list.

Until The Stars Run Out:

“I am great at being in love, not so great at being out.”

(See intro)

Feel The Fire:

“Down in the basement, there’s a light that shines.”

I hope it’s a low-energy, long-life bulb you’ve got down there Joe.

“When we feel like this, it is deep inside.”


“Something’s got me burning up inside.”



“I can feel it deep inside of me, something primal.”


“The urge for the surge, of the power of inside”



“Somehow you come along, just like a flower poking through the sidewalk crack.”

Flowers, cracks, poking. I rest my case. As Joe should do too, he must be exhausted after all that.

If you weren’t keeping count, that’s a massive 14 innuendos over the course of an 11-track album. 1.27 innuendos per song. Amazing.